1. Razor Eater
  2. Rise Up
  3. Valley Of Kings
  4. Ship Of Fools
  5. Attack
  6. Baroque And Roll (Instrumental)
  7. Stronghold
  8. Mad Dog
  9. In The Name Of God
  10. Freedom Isnt Free
  11. Majestic Blue (Instrumental)
  12. Valhalla
  13. Touch The Sky
  14. Iron Clad
  15. Air (Instrumental)
  16. Nobodys Fool (Japanese Bonus Track)
 

Yngwie J. Malmsteen: Lead Guitar, Rhythm Guitar, Bass Guitar, Acoustic Guitar, and Vocals

Doogie White: Lead Vocals
Derek Sherinian: Keyboards
Patrik Johansson: Drums

Recorded at Studio 308 and Baroque & Roll Studios, Miami, FL, USA.

Engineered by Tom Fletcher. Mixed by Tom Fletcher and
Yngwie J. Malmsteen.

Derek's comments:

After playing 10 shows w/ Yngwie in South America the year before, Yngwie invited me to play on his new CD,"Attack."

I flew down to Miami, and finished all of my tracks in 4-5 days at Yngwie's mansion/Studio 308.

As we were tracking, Yngwie, would switch Rolex watches five times during an 8 hr session. He would never announce it, but he would quietly leave the room, and would shortly return with a new Rolex on...I like it!!!

Yngwie knew exactly what he wanted keyboard-wise which was unison runs doubled with a harpsichord patch, choirs and strings throughout the CD. I was disappointed that he didn't make room for me to shred ala Jens Johannson in his early CDs, but I am glad that I could give him what he wanted.

There was an instrumental titled "Baroque And Roll" that stood out to me.

It was after I completed this session that Yngwie immediately played three songs on my solo CD, "Black Utopia."

Fast facts:

* Yngwie played on 3 songs on my solo CD "Black Utopia" immediately after I finished my last track on "Attack."

* Tom Fletcher who engineered and mixed"Attack" also engineered my first demo tape in 1988. He also did my first solo ,"Planet X" (1999) and Planet X "Universe" (2000). Tom also engineered the Al DiMeola and Yngwie sessions on "Black Utopia".

* Yngwie first flew me to Miami in February 1999 to play with him, I think he was thinking about firing his keyboardist at the time, but ended up keeping him.